By contrast, Blanchot’s literature dissolves this triple foundation into a writing of obscurity, distracted fatigue, and a “death resurrected” literature opens aesthetics to that which had been constitutively excluded at its founding moment. He thus opposes the poem to both the obscure fundus animae, the ground of the soul, and to utopian poetry, neither of which can be poetized. Baumgarten, laying the groundwork for much of the “distribution of the sensible” that dominated the field of aesthetics after him, conceives of the poem as the paradigmatic instance of an aesthetic cognition of the sensible that is founded on the triad of clarity, attention, and liveliness. (in Russian).This article analyzes the notions of clarity and obscurity in the work of Alexander Gottlieb Baumgarten and Maurice Blanchot, arguing that the latter’s thought of the “other night” proposes a radical reversal, indeed, a corruption, of Baumgarten’s founding of aesthetics as an ocularcentric discipline governed by clarity. Moscow: Izdat’elstvo Instituta Philosophii Academii Nauk. Iz istorii nemetskoi filosofii XVIII veka. In this context Baumgarten, as a representative of rationalist tradition, takes as a problem that sensible knowledge being accepted as intuition or lower knowledge. The Journal of Aesthetics and Art Criticism, 30 (3), 333-342. Baumgarten associates aesthetics with sensible knowledge and its perfection where beauty appears as the perfection of sensible knowledge. Alexander Baumgarten’s Contribution to the Development of Aesthetics. Istoriya novoi filosofii v svyazi s obshchei kul’turoi i otdel'nymi naukami (Vol. Alexander Baumgarten y el contexto de nacimiento de la Estética. Moscow: Gosudarstvennoe izdatel'stvo khudozhestvennoi literatury. O narodnoi drame i o “Marfe Posadnitse” M.P.Pogodina. He was a brother to theologian Siegmund Jakob Baumgarten (17061757). Baumgartena kak odin iz stimulov teoreticheskogo razvitiya Kanta. Alexander Gottlieb Baumgarten (German: 17 July 1714 ) was a German philosopher.
Philosophica - Revista Do Departamento de Filosofia da Faculdade de Letras de Lisboa, 44, 27-46. The Cogntive and Ethical Scope in Baumgarten’s Aesthetics. The Nordic Journal of Aesthetics, 36–37, 102–128. Magnitudo aesthetica, Aesthetic Greatness Ethical aspects of Alexander Gottlieb Baumgarten’s Aesthetica. Anfangsgründe aller schönen Wissenschaften. Journal of the History of Ideas, 12 (4), 496-527. The Modern System of the Arts: A Study in the History of Aesthetics. Estetika: The Central European Journal of Aesthetics, XLVI(I), 105–110. Majetschak, Classics of art philosophy (117-130). Kivi (Ed.), The Blackwell Guide to Aesthetics (15-45).
The Origins of Modern Aesthetics: 1711–1735. Versuch einer critischen Dichtkunst vor die Deutschen. The Founding of Aesthetics in the German Enlightenment.
Moscow: Izdatel'stvo Academii Chudozestv. Ovsyannikov (Ed.), Istoriya estetiki (Vol. Oakland: University of California Press.īaumgarten, A.G. Magdeburg: Impensis Carol Hermann Hemmerde. Philosophische Brieffe von Aletheophilus. Magdeburg: Verlegt von Carl Hermann Hemmerde. Halae Magdeburgicae: Litteris Ioannis Henrici Grunerti, acad. Meditations philosophies de nonnullis ad poema pertinentibus. Here Lessing at least tacitly invokes the new theory that the play of our mental powers rather than the representation of some form of truth is the fundamental aim of art, or at least visual art. Les beaux arts réduits à un même principe. Baumgarten, The Man Who ‘Invented’ Aesthetics English Choose a language for shopping. Asmus, Nemetskaya estetika XVIII veka (4-56). Vozniknovenie estetiki kak filosofskoi nauki v Germanii. Ahlber, Notions of the Aesthetic and Aesthetics: Essays on Art, Aesthetics and Culture (133-153). The Invention of Modern Aesthetics: From Leibniz to Kant.
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